We are JKF Media LLC ("Company," "we," "us," "our"). We operate the website https://theblackpeoplesguide.com (the "Site"), the mobile application The Black People's Guide (the "App"), as well as any other related products and services that refer or link to these legal terms (the "Legal Terms") (collectively, the "Services").
These Legal Terms constitute a legally binding agreement made between you, whether personally or on behalf of an entity ("you"), and JKF Media LLC, concerning your access to and use of the Services. You agree that by accessing the Services, you have read, understood, and agreed to be bound by all of these Legal Terms. IF YOU DO NOT AGREE WITH ALL OF THESE LEGAL TERMS, THEN YOU ARE EXPRESSLY PROHIBITED FROM USING THE SERVICES AND YOU MUST DISCONTINUE USE IMMEDIATELY.
We will provide you with prior notice of any scheduled changes to the Services you are using. The modified Legal Terms will become effective upon posting or notifying you by admin@theblackpeoplesguide.com, as stated in the email message. By continuing to use the Services after the effective date of any changes, you agree to be bound by the modified terms.
The Services are intended for users who are at least 13 years of age. All users who are minors in the jurisdiction in which they reside (generally under the age of 18) must have the permission of, and be directly supervised by, their parent or guardian to use the Services. If you are a minor, you must have your parent or guardian read and agree to these Legal Terms prior to you using the Services.
We recommend that you print a copy of these Legal Terms for your records.
The information provided when using the Services is not intended for distribution to or use by any person or entity in any jurisdiction or country where such distribution or use would be contrary to law or regulation or which would subject us to any registration requirement within such jurisdiction or country. Accordingly, those persons who choose to access the Services from other locations do so on their own initiative and are solely responsible for compliance with local laws, if and to the extent local laws are applicable.
The Services are not tailored to comply with industry-specific regulations (Health Insurance Portability and Accountability Act (HIPAA), Federal Information Security Management Act (FISMA), etc.), so if your interactions would be subjected to such laws, you may not use the Services. You may not use the Services in a way that would violate the Gramm-Leach-Bliley Act (GLBA).
2. INTELLECTUAL PROPERTY RIGHTS
Our intellectual property
We are the owner or the licensee of all intellectual property rights in our Services, including all source code, databases, functionality, software, website designs, audio, video, text, photographs, and graphics in the Services (collectively, the "Content"), as well as the trademarks, service marks, and logos contained therein (the "Marks").
Our Content and Marks are protected by copyright and trademark laws (and various other intellectual property rights and unfair competition laws) and treaties in the United States and around the world.
The Content and Marks are provided in or through the Services "AS IS" for your personal, non-commercial use or internal business purpose only.
Your use of our Services
Subject to your compliance with these Legal Terms, including the "PROHIBITED ACTIVITIES" section below, we grant you a non-exclusive, non-transferable, revocable license to:
access the Services; and
download or print a copy of any portion of the Content to which you have properly gained access,
solely for your personal, non-commercial use or internal business purpose.
Except as set out in this section or elsewhere in our Legal Terms, no part of the Services and no Content or Marks may be copied, reproduced, aggregated, republished, uploaded, posted, publicly displayed, encoded, translated, transmitted, distributed, sold, licensed, or otherwise exploited for any commercial purpose whatsoever, without our express prior written permission.
If you wish to make any use of the Services, Content, or Marks other than as set out in this section or elsewhere in our Legal Terms, please address your request to: admin@theblackpeoplesguide.com. If we ever grant you the permission to post, reproduce, or publicly display any part of our Services or Content, you must identify us as the owners or licensors of the Services, Content, or Marks and ensure that any copyright or proprietary notice appears or is visible on posting, reproducing, or displaying our Content.
We reserve all rights not expressly granted to you in and to the Services, Content, and Marks.
Any breach of these Intellectual Property Rights will constitute a material breach of our Legal Terms and your right to use our Services will terminate immediately.
Your submissions and contributions
Please review this section and the "PROHIBITED ACTIVITIES" section carefully prior to using our Services to understand the (a) rights you give us and (b) obligations you have when you post or upload any content through the Services.
Submissions: By directly sending us any question, comment, suggestion, idea, feedback, or other information about the Services ("Submissions"), you agree to assign to us all intellectual property rights in such Submission. You agree that we shall own this Submission and be entitled to its unrestricted use and dissemination for any lawful purpose, commercial or otherwise, without acknowledgment or compensation to you.
Contributions: The Services may invite you to chat, contribute to, or participate in blogs, message boards, online forums, and other functionality during which you may create, submit, post, display, transmit, publish, distribute, or broadcast content and materials to us or through the Services, including but not limited to text, writings, video, audio, photographs, music, graphics, comments, reviews, rating suggestions, personal information, or other material ("Contributions"). Any Submission that is publicly posted shall also be treated as a Contribution.
You understand that Contributions may be viewable by other users of the Services and possibly through third-party websites.
When you post Contributions, you grant us a license (including use of your name, trademarks, and logos): By posting any Contributions, you grant us an unrestricted, unlimited, irrevocable, perpetual, non-exclusive, transferable, royalty-free, fully-paid, worldwide right, and license to: use, copy, reproduce, distribute, sell, resell, publish, broadcast, retitle, store, publicly perform, publicly display, reformat, translate, excerpt (in whole or in part), and exploit your Contributions (including, without limitation, your image, name, and voice) for any purpose, commercial, advertising, or otherwise, to prepare derivative works of, or incorporate into other works, your Contributions, and to sublicense the licenses granted in this section. Our use and distribution may occur in any media formats and through any media channels.
This license includes our use of your name, company name, and franchise name, as applicable, and any of the trademarks, service marks, trade names, logos, and personal and commercial images you provide.
You are responsible for what you post or upload: By sending us Submissions and/or posting Contributions through any part of the Services or making Contributions accessible through the Services by linking your account through the Services to any of your social networking accounts, you:
confirm that you have read and agree with our "PROHIBITED ACTIVITIES" and will not post, send, publish, upload, or transmit through the Services any Submission nor post any Contribution that is illegal, harassing, hateful, harmful, defamatory, obscene, bullying, abusive, discriminatory, threatening to any person or group, sexually explicit, false, inaccurate, deceitful, or misleading;
to the extent permissible by applicable law, waive any and all moral rights to any such Submission and/or Contribution;
warrant that any such Submission and/or Contributions are original to you or that you have the necessary rights and licenses to submit such Submissions and/or Contributions and that you have full authority to grant us the above-mentioned rights in relation to your Submissions and/or Contributions; and
warrant and represent that your Submissions and/or Contributions do not constitute confidential information.
You are solely responsible for your Submissions and/or Contributions and you expressly agree to reimburse us for any and all losses that we may suffer because of your breach of (a) this section, (b) any third party’s intellectual property rights, or (c) applicable law.
We may remove or edit your Content: Although we have no obligation to monitor any Contributions, we shall have the right to remove or edit any Contributions at any time without notice if in our reasonable opinion we consider such Contributions harmful or in breach of these Legal Terms. If we remove or edit any such Contributions, we may also suspend or disable your account and report you to the authorities.
Copyright infringement
We respect the intellectual property rights of others. If you believe that any material available on or through the Services infringes upon any copyright you own or control, please immediately refer to the "COPYRIGHT INFRINGEMENTS" section below.
3. USER REPRESENTATIONS
By using the Services, you represent and warrant that:(1) all registration information you submit will be true, accurate, current, and complete; (2) you will maintain the accuracy of such information and promptly update such registration information as necessary;(3) you have the legal capacity and you agree to comply with these Legal Terms;(4) you are not under the age of 13;(5) you are not a minor in the jurisdiction in which you reside, or if a minor, you have received parental permission to use the Services; (6) you will not access the Services through automated or non-human means, whether through a bot, script or otherwise; (7) you will not use the Services for any illegal or unauthorized purpose; and (8) your use of the Services will not violate any applicable law or regulation.
If you provide any information that is untrue, inaccurate, not current, or incomplete, we have the right to suspend or terminate your account and refuse any and all current or future use of the Services (or any portion thereof).
4. USER REGISTRATION
You may be required to register to use the Services. You agree to keep your password confidential and will be responsible for all use of your account and password. We reserve the right to remove, reclaim, or change a username you select if we determine, in our sole discretion, that such username is inappropriate, obscene, or otherwise objectionable.
5. PROHIBITED ACTIVITIES
You may not access or use the Services for any purpose other than that for which we make the Services available. The Services may not be used in connection with any commercial endeavors except those that are specifically endorsed or approved by us.
As a user of the Services, you agree not to:
Systematically retrieve data or other content from the Services to create or compile, directly or indirectly, a collection, compilation, database, or directory without written permission from us.
Trick, defraud, or mislead us and other users, especially in any attempt to learn sensitive account information such as user passwords.
Circumvent, disable, or otherwise interfere with security-related features of the Services, including features that prevent or restrict the use or copying of any Content or enforce limitations on the use of the Services and/or the Content contained therein.
Disparage, tarnish, or otherwise harm, in our opinion, us and/or the Services.
Use any information obtained from the Services in order to harass, abuse, or harm another person.
Make improper use of our support services or submit false reports of abuse or misconduct.
Use the Services in a manner inconsistent with any applicable laws or regulations.
Engage in unauthorized framing of or linking to the Services.
Upload or transmit (or attempt to upload or to transmit) viruses, Trojan horses, or other material, including excessive use of capital letters and spamming (continuous posting of repetitive text), that interferes with any party’s uninterrupted use and enjoyment of the Services or modifies, impairs, disrupts, alters, or interferes with the use, features, functions, operation, or maintenance of the Services.
Engage in any automated use of the system, such as using scripts to send comments or messages, or using any data mining, robots, or similar data gathering and extraction tools.
Delete the copyright or other proprietary rights notice from any Content.
Attempt to impersonate another user or person or use the username of another user.
Upload or transmit (or attempt to upload or to transmit) any material that acts as a passive or active information collection or transmission mechanism, including without limitation, clear graphics interchange formats ("gifs"), 1×1 pixels, web bugs, cookies, or other similar devices (sometimes referred to as "spyware" or "passive collection mechanisms" or "pcms").
Interfere with, disrupt, or create an undue burden on the Services or the networks or services connected to the Services.
Harass, annoy, intimidate, or threaten any of our employees or agents engaged in providing any portion of the Services to you.
Attempt to bypass any measures of the Services designed to prevent or restrict access to the Services, or any portion of the Services.
Copy or adapt the Services' software, including but not limited to Flash, PHP, HTML, JavaScript, or other code.
Except as permitted by applicable law, decipher, decompile, disassemble, or reverse engineer any of the software comprising or in any way making up a part of the Services.
Except as may be the result of standard search engine or Internet browser usage, use, launch, develop, or distribute any automated system, including without limitation, any spider, robot, cheat utility, scraper, or offline reader that accesses the Services, or use or launch any unauthorized script or other software.
Use a buying agent or purchasing agent to make purchases on the Services.
Make any unauthorized use of the Services, including collecting usernames and/or email addresses of users by electronic or other means for the purpose of sending unsolicited email, or creating user accounts by automated means or under false pretenses.
Use the Services as part of any effort to compete with us or otherwise use the Services and/or the Content for any revenue-generating endeavor or commercial enterprise.
Sell or otherwise transfer your profile.
Use the Services to advertise or offer to sell goods and services.
6. USER GENERATED CONTRIBUTIONS
The Services may invite you to chat, contribute to, or participate in blogs, message boards, online forums, and other functionality, and may provide you with the opportunity to create, submit, post, display, transmit, perform, publish, distribute, or broadcast content and materials to us or on the Services, including but not limited to text, writings, video, audio, photographs, graphics, comments, suggestions, or personal information or other material (collectively, "Contributions"). Contributions may be viewable by other users of the Services and through third-party websites. As such, any Contributions you transmit may be treated as non-confidential and non-proprietary. When you create or make available any Contributions, you thereby represent and warrant that:
The creation, distribution, transmission, public display, or performance, and the accessing, downloading, or copying of your Contributions do not and will not infringe the proprietary rights, including but not limited to the copyright, patent, trademark, trade secret, or moral rights of any third party.
You are the creator and owner of or have the necessary licenses, rights, consents, releases, and permissions to use and to authorize us, the Services, and other users of the Services to use your Contributions in any manner contemplated by the Services and these Legal Terms.
You have the written consent, release, and/or permission of each and every identifiable individual person in your Contributions to use the name or likeness of each and every such identifiable individual person to enable inclusion and use of your Contributions in any manner contemplated by the Services and these Legal Terms.
Your Contributions are not false, inaccurate, or misleading.
Your Contributions are not unsolicited or unauthorized advertising, promotional materials, pyramid schemes, chain letters, spam, mass mailings, or other forms of solicitation.
Your Contributions are not obscene, lewd, lascivious, filthy, violent, harassing, libelous, slanderous, or otherwise objectionable (as determined by us).
Your Contributions do not ridicule, mock, disparage, intimidate, or abuse anyone.
Your Contributions are not used to harass or threaten (in the legal sense of those terms) any other person and to promote violence against a specific person or class of people.
Your Contributions do not violate any applicable law, regulation, or rule.
Your Contributions do not violate the privacy or publicity rights of any third party.
Your Contributions do not violate any applicable law concerning child pornography, or otherwise intended to protect the health or well-being of minors.
Your Contributions do not include any offensive comments that are connected to race, national origin, gender, sexual preference, or physical handicap.
Your Contributions do not otherwise violate, or link to material that violates, any provision of these Legal Terms, or any applicable law or regulation.
Any use of the Services in violation of the foregoing violates these Legal Terms and may result in, among other things, termination or suspension of your rights to use the Services.
7. CONTRIBUTION LICENSE
By posting your Contributions to any part of the Services or making Contributions accessible to the Services by linking your account from the Services to any of your social networking accounts, you automatically grant, and you represent and warrant that you have the right to grant, to us an unrestricted, unlimited, irrevocable, perpetual, non-exclusive, transferable, royalty-free, fully-paid, worldwide right, and license to host, use, copy, reproduce, disclose, sell, resell, publish, broadcast, retitle, archive, store, cache, publicly perform, publicly display, reformat, translate, transmit, excerpt (in whole or in part), and distribute such Contributions (including, without limitation, your image and voice) for any purpose, commercial, advertising, or otherwise, and to prepare derivative works of, or incorporate into other works, such Contributions, and grant and authorize sublicenses of the foregoing. The use and distribution may occur in any media formats and through any media channels.
This license will apply to any form, media, or technology now known or hereafter developed, and includes our use of your name, company name, and franchise name, as applicable, and any of the trademarks, service marks, trade names, logos, and personal and commercial images you provide. You waive all moral rights in your Contributions, and you warrant that moral rights have not otherwise been asserted in your Contributions.
We do not assert any ownership over your Contributions. You retain full ownership of all of your Contributions and any intellectual property rights or other proprietary rights associated with your Contributions. We are not liable for any statements or representations in your Contributions provided by you in any area on the Services. You are solely responsible for your Contributions to the Services and you expressly agree to exonerate us from any and all responsibility and to refrain from any legal action against us regarding your Contributions.
We have the right, in our sole and absolute discretion, (1) to edit, redact, or otherwise change any Contributions; (2) to re-categorize any Contributions to place them in more appropriate locations on the Services; and (3) to pre-screen or delete any Contributions at any time and for any reason, without notice. We have no obligation to monitor your Contributions.
8. GUIDELINES FOR REVIEWS
We may provide you areas on the Services to leave reviews or ratings. When posting a review, you must comply with the following criteria: (1) you should have firsthand experience with the person/entity being reviewed; (2) your reviews should not contain offensive profanity, or abusive, racist, offensive, or hateful language; (3) your reviews should not contain discriminatory references based on religion, race, gender, national origin, age, marital status, sexual orientation, or disability; (4) your reviews should not contain references to illegal activity; (5) you should not be affiliated with competitors if posting negative reviews; (6) you should not make any conclusions as to the legality of conduct; (7) you may not post any false or misleading statements; and (8) you may not organize a campaign encouraging others to post reviews, whether positive or negative.
We may accept, reject, or remove reviews in our sole discretion. We have absolutely no obligation to screen reviews or to delete reviews, even if anyone considers reviews objectionable or inaccurate. Reviews are not endorsed by us, and do not necessarily represent our opinions or the views of any of our affiliates or partners. We do not assume liability for any review or for any claims, liabilities, or losses resulting from any review. By posting a review, you hereby grant to us a perpetual, non-exclusive, worldwide, royalty-free, fully paid, assignable, and sublicensable right and license to reproduce, modify, translate, transmit by any means, display, perform, and/or distribute all content relating to review.
9. MOBILE APPLICATION LICENSE
Use License
If you access the Services via the App, then we grant you a revocable, non-exclusive, non-transferable, limited right to install and use the App on wireless electronic devices owned or controlled by you, and to access and use the App on such devices strictly in accordance with the terms and conditions of this mobile application license contained in these Legal Terms. You shall not: (1) except as permitted by applicable law, decompile, reverse engineer, disassemble, attempt to derive the source code of, or decrypt the App; (2) make any modification, adaptation, improvement, enhancement, translation, or derivative work from the App; (3) violate any applicable laws, rules, or regulations in connection with your access or use of the App; (4) remove, alter, or obscure any proprietary notice (including any notice of copyright or trademark) posted by us or the licensors of the App; (5) use the App for any revenue-generating endeavor, commercial enterprise, or other purpose for which it is not designed or intended; (6) make the App available over a network or other environment permitting access or use by multiple devices or users at the same time; (7) use the App for creating a product, service, or software that is, directly or indirectly, competitive with or in any way a substitute for the App; (8) use the App to send automated queries to any website or to send any unsolicited commercial email; or (9) use any proprietary information or any of our interfaces or our other intellectual property in the design, development, manufacture, licensing, or distribution of any applications, accessories, or devices for use with the App.
Apple and Android Devices
The following terms apply when you use the App obtained from either the Apple Store or Google Play (each an "App Distributor") to access the Services: (1) the license granted to you for our App is limited to a non-transferable license to use the application on a device that utilizes the Apple iOS or Android operating systems, as applicable, and in accordance with the usage rules set forth in the applicable App Distributor’s terms of service; (2) we are responsible for providing any maintenance and support services with respect to the App as specified in the terms and conditions of this mobile application license contained in these Legal Terms or as otherwise required under applicable law, and you acknowledge that each App Distributor has no obligation whatsoever to furnish any maintenance and support services with respect to the App; (3) in the event of any failure of the App to conform to any applicable warranty, you may notify the applicable App Distributor, and the App Distributor, in accordance with its terms and policies, may refund the purchase price, if any, paid for the App, and to the maximum extent permitted by applicable law, the App Distributor will have no other warranty obligation whatsoever with respect to the App; (4) you represent and warrant that (i) you are not located in a country that is subject to a US government embargo, or that has been designated by the US government as a "terrorist supporting" country and (ii) you are not listed on any US government list of prohibited or restricted parties; (5) you must comply with applicable third-party terms of agreement when using the App, e.g., if you have a VoIP application, then you must not be in violation of their wireless data service agreement when using the App; and (6) you acknowledge and agree that the App Distributors are third-party beneficiaries of the terms and conditions in this mobile application license contained in these Legal Terms, and that each App Distributor will have the right (and will be deemed to have accepted the right) to enforce the terms and conditions in this mobile application license contained in these Legal Terms against you as a third-party beneficiary thereof.
10. SOCIAL MEDIA
As part of the functionality of the Services, you may link your account with online accounts you have with third-party service providers (each such account, a "Third-Party Account") by either: (1) providing your Third-Party Account login information through the Services; or (2) allowing us to access your Third-Party Account, as is permitted under the applicable terms and conditions that govern your use of each Third-Party Account. You represent and warrant that you are entitled to disclose your Third-Party Account login information to us and/or grant us access to your Third-Party Account, without breach by you of any of the terms and conditions that govern your use of the applicable Third-Party Account, and without obligating us to pay any fees or making us subject to any usage limitations imposed by the third-party service provider of the Third-Party Account. By granting us access to any Third-Party Accounts, you understand that (1) we may access, make available, and store (if applicable) any content that you have provided to and stored in your Third-Party Account (the "Social Network Content") so that it is available on and through the Services via your account, including without limitation any friend lists and (2) we may submit to and receive from your Third-Party Account additional information to the extent you are notified when you link your account with the Third-Party Account. Depending on the Third-Party Accounts you choose and subject to the privacy settings that you have set in such Third-Party Accounts, personally identifiable information that you post to your Third-Party Accounts may be available on and through your account on the Services. Please note that if a Third-Party Account or associated service becomes unavailable or our access to such Third-Party Account is terminated by the third-party service provider, then Social Network Content may no longer be available on and through the Services. You will have the ability to disable the connection between your account on the Services and your Third-Party Accounts at any time. PLEASE NOTE THAT YOUR RELATIONSHIP WITH THE THIRD-PARTY SERVICE PROVIDERS ASSOCIATED WITH YOUR THIRD-PARTY ACCOUNTS IS GOVERNED SOLELY BY YOUR AGREEMENT(S) WITH SUCH THIRD-PARTY SERVICE PROVIDERS. We make no effort to review any Social Network Content for any purpose, including but not limited to, for accuracy, legality, or non-infringement, and we are not responsible for any Social Network Content. You acknowledge and agree that we may access your email address book associated with a Third-Party Account and your contacts list stored on your mobile device or tablet computer solely for purposes of identifying and informing you of those contacts who have also registered to use the Services. You can deactivate the connection between the Services and your Third-Party Account by contacting us using the contact information below or through your account settings (if applicable). We will attempt to delete any information stored on our servers that was obtained through such Third-Party Account, except the username and profile picture that become associated with your account.
11. THIRD-PARTY WEBSITES AND CONTENT
The Services may contain (or you may be sent via the Site or App) links to other websites ("Third-Party Websites") as well as articles, photographs, text, graphics, pictures, designs, music, sound, video, information, applications, software, and other content or items belonging to or originating from third parties ("Third-Party Content"). Such Third-Party Websites and Third-Party Content are not investigated, monitored, or checked for accuracy, appropriateness, or completeness by us, and we are not responsible for any Third-Party Websites accessed through the Services or any Third-Party Content posted on, available through, or installed from the Services, including the content, accuracy, offensiveness, opinions, reliability, privacy practices, or other policies of or contained in the Third-Party Websites or the Third-Party Content. Inclusion of, linking to, or permitting the use or installation of any Third-Party Websites or any Third-Party Content does not imply approval or endorsement thereof by us. If you decide to leave the Services and access the Third-Party Websites or to use or install any Third-Party Content, you do so at your own risk, and you should be aware these Legal Terms no longer govern. You should review the applicable terms and policies, including privacy and data gathering practices, of any website to which you navigate from the Services or relating to any applications you use or install from the Services. Any purchases you make through Third-Party Websites will be through other websites and from other companies, and we take no responsibility whatsoever in relation to such purchases which are exclusively between you and the applicable third party. You agree and acknowledge that we do not endorse the products or services offered on Third-Party Websites and you shall hold us blameless from any harm caused by your purchase of such products or services. Additionally, you shall hold us blameless from any losses sustained by you or harm caused to you relating to or resulting in any way from any Third-Party Content or any contact with Third-Party Websites.
12. ADVERTISERS
We allow advertisers to display their advertisements and other information in certain areas of the Services, such as sidebar advertisements or banner advertisements. We simply provide the space to place such advertisements, and we have no other relationship with advertisers.
13. SERVICES MANAGEMENT
We reserve the right, but not the obligation, to: (1) monitor the Services for violations of these Legal Terms; (2) take appropriate legal action against anyone who, in our sole discretion, violates the law or these Legal Terms, including without limitation, reporting such user to law enforcement authorities; (3) in our sole discretion and without limitation, refuse, restrict access to, limit the availability of, or disable (to the extent technologically feasible) any of your Contributions or any portion thereof; (4) in our sole discretion and without limitation, notice, or liability, to remove from the Services or otherwise disable all files and content that are excessive in size or are in any way burdensome to our systems; and (5) otherwise manage the Services in a manner designed to protect our rights and property and to facilitate the proper functioning of the Services.
14. PRIVACY POLICY
We care about data privacy and security. Please review our Privacy Policy:http://theblackpeoplesguide.com/privacy-policies. By using the Services, you agree to be bound by our Privacy Policy, which is incorporated into these Legal Terms. Please be advised the Services are hosted in the United States. If you access the Services from any other region of the world with laws or other requirements governing personal data collection, use, or disclosure that differ from applicable laws in the United States, then through your continued use of the Services, you are transferring your data to the United States, and you expressly consent to have your data transferred to and processed in the United States. Further, we do not knowingly accept, request, or solicit information from children or knowingly market to children. Therefore, in accordance with the U.S. Children’s Online Privacy Protection Act, if we receive actual knowledge that anyone under the age of 13 has provided personal information to us without the requisite and verifiable parental consent, we will delete that information from the Services as quickly as is reasonably practical.
15. COPYRIGHT INFRINGEMENTS
We respect the intellectual property rights of others. If you believe that any material available on or through the Services infringes upon any copyright you own or control, please immediately notify us using the contact information provided below (a "Notification"). A copy of your Notification will be sent to the person who posted or stored the material addressed in the Notification. Please be advised that pursuant to applicable law you may be held liable for damages if you make material misrepresentations in a Notification. Thus, if you are not sure that material located on or linked to by the Services infringes your copyright, you should consider first contacting an attorney.
16. TERM AND TERMINATION
These Legal Terms shall remain in full force and effect while you use the Services. WITHOUT LIMITING ANY OTHER PROVISION OF THESE LEGAL TERMS, WE RESERVE THE RIGHT TO, IN OUR SOLE DISCRETION AND WITHOUT NOTICE OR LIABILITY, DENY ACCESS TO AND USE OF THE SERVICES (INCLUDING BLOCKING CERTAIN IP ADDRESSES), TO ANY PERSON FOR ANY REASON OR FOR NO REASON, INCLUDING WITHOUT LIMITATION FOR BREACH OF ANY REPRESENTATION, WARRANTY, OR COVENANT CONTAINED IN THESE LEGAL TERMS OR OF ANY APPLICABLE LAW OR REGULATION. WE MAY TERMINATE YOUR USE OR PARTICIPATION IN THE SERVICES OR DELETE YOUR ACCOUNT AND ANY CONTENT OR INFORMATION THAT YOU POSTED AT ANY TIME, WITHOUT WARNING, IN OUR SOLE DISCRETION.
If we terminate or suspend your account for any reason, you are prohibited from registering and creating a new account under your name, a fake or borrowed name, or the name of any third party, even if you may be acting on behalf of the third party. In addition to terminating or suspending your account, we reserve the right to take appropriate legal action, including without limitation pursuing civil, criminal, and injunctive redress.
17. MODIFICATIONS AND INTERRUPTIONS
We reserve the right to change, modify, or remove the contents of the Services at any time or for any reason at our sole discretion without notice. However, we have no obligation to update any information on our Services. We will not be liable to you or any third party for any modification, price change, suspension, or discontinuance of the Services.
We cannot guarantee the Services will be available at all times. We may experience hardware, software, or other problems or need to perform maintenance related to the Services, resulting in interruptions, delays, or errors. We reserve the right to change, revise, update, suspend, discontinue, or otherwise modify the Services at any time or for any reason without notice to you. You agree that we have no liability whatsoever for any loss, damage, or inconvenience caused by your inability to access or use the Services during any downtime or discontinuance of the Services. Nothing in these Legal Terms will be construed to obligate us to maintain and support the Services or to supply any corrections, updates, or releases in connection therewith.
18. GOVERNING LAW
These Legal Terms and your use of the Services are governed by and construed in accordance with the laws of the Commonwealth of Pennsylvania applicable to agreements made and to be entirely performed within the Commonwealth of Pennsylvania, without regard to its conflict of law principles.
19. DISPUTE RESOLUTION
Informal Negotiations
To expedite resolution and control the cost of any dispute, controversy, or claim related to these Legal Terms (each a "Dispute" and collectively, the "Disputes") brought by either you or us (individually, a "Party" and collectively, the "Parties"), the Parties agree to first attempt to negotiate any Dispute (except those Disputes expressly provided below) informally for at least thirty (30) days before initiating arbitration. Such informal negotiations commence upon written notice from one Party to the other Party.
Binding Arbitration
If the Parties are unable to resolve a Dispute through informal negotiations, the Dispute (except those Disputes expressly excluded below) will be finally and exclusively resolved by binding arbitration. YOU UNDERSTAND THAT WITHOUT THIS PROVISION, YOU WOULD HAVE THE RIGHT TO SUE IN COURT AND HAVE A JURY TRIAL. The arbitration shall be commenced and conducted under the Commercial Arbitration Rules of the American Arbitration Association ("AAA") and, where appropriate, the AAA’s Supplementary Procedures for Consumer Related Disputes ("AAA Consumer Rules"), both of which are available at the American Arbitration Association (AAA) website. Your arbitration fees and your share of arbitrator compensation shall be governed by the AAA Consumer Rules and, where appropriate, limited by the AAA Consumer Rules. The arbitration may be conducted in person, through the submission of documents, by phone, or online. The arbitrator will make a decision in writing, but need not provide a statement of reasons unless requested by either Party. The arbitrator must follow applicable law, and any award may be challenged if the arbitrator fails to do so. Except where otherwise required by the applicable AAA rules or applicable law, the arbitration will take place in Philadelphia, Pennsylvania. Except as otherwise provided herein, the Parties may litigate in court to compel arbitration, stay proceedings pending arbitration, or to confirm, modify, vacate, or enter judgment on the award entered by the arbitrator.
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In the landscape of modern sports culture, few individuals possess a vantage point as panoramic as Kendall Gill. A native of Chicago’s South Side, Gill navigated the fierce battlegrounds of the Big Ten with the legendary 1989 “Flying Illini” before launching into a highly decorated 15-year NBA career. Known as a relentless defender, dynamic scorer, and a foundational piece for iconic franchises like the Charlotte Hornets, Seattle SuperSonics, and New Jersey Nets, Gill’s competitive fire didn’t extinguish when he checked out of his final basketball game. Instead, he channeled that raw discipline directly into professional prize rings, while simultaneously carving out a permanent, highly respected voice in the sports media landscape.
Sitting down for an unfiltered conversation, Gill brings the rare perspective of a veteran athlete who has completely mastered both sides of the microphone. In an era where tension between players and analysts often reaches a boiling point, he speaks candidly about his own evolution from a young, defensive player who took criticism to heart, to an analyst who understands the exact mechanics of public accountability. This dialogue unearths a rich archive of basketball history, sweeping from the precise moment Michael Jordan personally selected him for the genesis of the Jordan Brand, to the internal fractures that derailed some of the most talented rosters of the 1990s.
What follows is an extensive, deeply personal dialogue from this historic premiere episode that goes far beyond simple nostalgia. Gill strips away the polished veneer of professional sports to dissect his career regrets, the demanding psychological architecture of playing under coaches like Pat Riley and George Karl, and the dangerous reality of transitioning into combat sports. It is a masterclass in longevity, demonstrating how a singular, uncompromising work ethic forged on an 8-year-old’s baseball diamond can carry a man seamlessly across multiple distinct professional lifetimes.
Navigating the Evolution of the Sports Media Space
The relationship between professional athletes and the reporters who cover them has always been precarious, often fueled by defensive pride and public misinterpretations. For a young player baseline-focused on survival in the league, a single negative headline can feel like a personal indictment. Years later, sitting on the opposite side of the camera provides a stark lesson in journalistic perspective, structural accountability, and the rare humility required to publicly say, “I got it wrong.”
Brandon “Scoop B” Robinson: You are now in the media space. What has that transition been like for you, especially coming from the perspective of a former player?
Kendall Gill: I am and I didn’t understand the media space when I was playing, you know? At times when a reporter or analyst said something negative about me, I would take it personally but being on this side, I understand that you can’t take it personally. They’re just giving their viewpoints of what they see. Even though they may be wrong — and I’ve been wrong as an analyst and I’ve actually have had to apologize to some of the players saying to them, Look. I got it wrong. I was once a player and I know how that makes you feel, your family feels, your friends and all that if someone says something about you that’s inaccurate… So I had to come to terms with that as a media person.
The Urge to Confront Inaccurate Reporting
When the rumors of free agency begin to swirl, the noise surrounding an athlete intensifies to a deafening pitch. For Kendall Gill, a television report during a pivotal career summer in Charlotte crossed the line from standard basketball speculation into an attack on his character. Looking back, the veteran analyst recognizes the hotheadedness of youth and outlines the exact tactical restraint a young star must exercise when the media targets them.
Brandon “Scoop B” Robinson: Was there ever a time during your playing career when a reporter or journalist said something about you that made you mad, or where you felt you had to confront them?
Kendall Gill: I was in Charlotte; my third year in Charlotte and I was going through free agency and everybody was wondering if I was going to re-sign with Charlotte or go and explore with free agency. I forget his name but he was a television reporter and he said something that was really negative about me and said something that was not a part of my personality or anything like that and I confronted him about it and really as a player, you shouldn’t do that. You gotta let it go in one ear and out the other. You gotta play the game. See, back then I didn’t know how to play the game back then as a young NBA player, you know? If I had to do it all over again, I wouldn’t say anything. I would do everything with my play.
The Foster Park Blueprint for Long-Term Success
True competitive dominance is rarely birthed from raw talent alone; it is meticulously constructed in the shadows by an individual’s willingness to outwork the field. Long before stepping onto a Big Ten campus or an NBA hardwood, a devastating rejection on a South Side baseball diamond served as a definitive turning point. That tearful drive home sparked a lifetime psychological methodology that remains completely unchanged to this day.
Brandon “Scoop B” Robinson: When did you know, whether it was back in high school or going into college, that you were flat-out better than everyone else around you?
Kendall Gill: I knew even when I was a little kid because it wasn’t about my talent, it was about my work ethic and there were a lot of kids that were more talented than me, but my work ethic was better than theirs and I knew eventually if I put in the work in whatever I decided to do, I was eventually going to catch you and then pass you and that’s what happened when I was in little league. As a little kid I remember that I was 8-years old here at Foster Park on the South Side of Chicago. I got cut from the Little League team because I was not of age, you know? And I can remember going home and crying to my mom and everything like that and she said, “Don’t worry, you’ll make the team next year because you’ll be of age…” And I worked on my game so much as a baseball player and when I came back, I was the best player on the team the following year; and I kept that same methodology with me throughout my whole life, you know? Whether it be me being a student or basketball player, now an analyst in the NBA, a boxer… my methodology I carry it with me.
The Cultural Swagger and Style of the “Flying Illini”
The 1989 University of Illinois roster remains etched in basketball lore as one of the most culturally influential and electrifying squads to ever take the court. Built exclusively with homegrown talent from the boundaries of the state, the team seamlessly blended high-profile national stars with gritty Chicago prospects. Beyond their relentless transition play, they quietly introduced a distinct brand of fashion and swagger that would forever redefine the aesthetic of the modern game.
Brandon “Scoop B” Robinson: What was it like playing for the University of Illinois during that unforgettable era?
Kendall Gill:[smiling] Awww man, it was great, man! That team in 1989 the Flying Illini and a lot of people don’t know this but all the players, even the walk-ons were from the state of Illinois. So we had NOBODY from out of state to make up that team and we were truly a state team because all of us were homegrown and we had McDonald’s All-Americans on that team; Nick Anderson, Marcus Liberty, Lowell Hamilton, Kenny Battle… and then we had the Harold’s Chicken All-Americans like me [laughing]… so the thing is, the Harold’s Chicken All-Americans Steve Bardo, Larry Smith, Irving Small… all those guys we still had the work ethic and eventually we caught up with the level of the McDonald’s All-Americans on our team, so eventually we all became one and that team was so special that Dick Vitale gave us the nickname “Flying Illini” when we played University of Florida on national television and it stuck with us and we just had a brand of style of basketball that we all were 6’5” and 6’8”, interchangeable parts we played an exciting brand of basketball and Jalen Rose once said, The Fab 5 brought in the baggy shorts… nope. The Flying Illini did and if you look back on that interview, you’ll see Jalen Rose say that [laughs]. We had style, we had flair; we had the Chicago swagger because most of us were from Chicago so, it was a SPECIAL team.
Assessing the Modern Era of Fighting Illini Basketball
Restoring a historic basketball powerhouse to national prominence requires a delicate balance of local recruitment and tactical vision. After a decades-long drought in the legendary Chicago-to-Champaign pipeline, the program has successfully weaponized the transfer portal and the international market to climb back into the top tier. However, maintaining that elite standing requires a crucial realization about the structural anatomy of a true championship contender.
Brandon “Scoop B” Robinson: The University of Illinois has become much more recognizable and visible over the last couple of years. What are your thoughts on where the program stands right now?
Kendall Gill: Well Brad Underwood has done a great job in putting the program back on the map. It started when he got Ayo Dosunmu who now plays for the Chicago Bulls because once Jimmy Collins when he left, who was the assistant coach who recruited all of us down to the University of Illinois, we had a pipeline, you know? Everything that was in Chicago that was good, you at least took a look at University of Illinois and nine times out of ten, you went there. But that pipeline stopped after Coach Collins was no longer there. So when Brad came back, they were able to reestablish with Ayo Dosunmu coming to the University of Illinois then the program got back on the map again and its wheels spinning again — Terrance Shannon who of course plays for the Minnesota Timberwolves went there as a transfer from leaving Texas Tech and we got back to the Final Eight with him but now there’s been sort of a shift and now Brad is more so looking at older European players and if you look at the University of Illinois team now, you have so many — I think that everybody’s name ends in ‘Evisavic or this Vic… Peja Stojakovic’s son [Andrej] who’s dad I played a multiple time All-Star with the University of Illinois and Brad has… and now just yesterday we are now just yesterday we got ranked 13th in the country but eventually, you still gotta come back home to Chicago and get the kids out of Chicago to be program kids and two, continue to build your legacy. As much as I like skilled high IQ basketball players, you’ll eventually need some skilled high IQ elite athletes on your team, you know? And that’s the one thing I think that separates our program right now from the UConns, from the Alabamas and teams like that. So, once we get that we’ll be ready to roll.
The Call That Placed Kendall Gill in Jordan’s Inner Circle
Before it evolved into a multi-billion-dollar global empire that completely dominated sneaker culture, Jordan Brand was simply a visionary concept in the mind of a newly retired Michael Jordan. Hand-picking a select circle of elite perimeter stars to champion his lineage, Jordan forever altered the sneaker landscape.
For Gill, receiving that direct phone call was an unforgettable professional milestone that came with unprecedented baseline stability.
Brandon “Scoop B” Robinson: You were wearing your own PE Jordan IX on the court before Jordan Brand officially became the massive entity it is today. What type of conversation did you have with MJ to facilitate that shoe?
Kendall Gill: It was a conversation. MJ retired and he called a select few players and said, “Listen. This is what I want to do. I want you to wear my shoes and I want to put other guys in it as well…” I don’t know how many of us it was but, I was thankful to be chosen by MJ to wear his shoes, you know? That was the beginning of the Jordan Brand and we had the Jordan IX which was probably one of the better shoes that I’ve worn because of the stability and then after that the Jordan X came out a year afterwards and I was just honored to have MJ just to pick up the phone and call me.
The Reality of $10,000 Nike Allotments in Portland
Signing a premier endorsement contract with Nike came with access to a level of athletic excess that most people can only dream of. Beyond the continuous stream of sneaker shipments arriving directly at the arena, players were routinely flown out to the mother ship in Oregon for massive shopping sprees. The sheer volume of merchandise was enough to push a young athlete to the absolute brink of retail exhaustion.
Brandon “Scoop B” Robinson: What was it actually like when those packages and legendary gear allotments started showing up?
Kendall Gill: Well first of all, you get all your shoes sent to the arena and the equipment man would take care of all of that but then you got a box of maybe 10 to 12 pairs of shoes and then gear as well but, where you got most of your gear was in Portland, Oregon because that’s where Nike Outlet is and they would bring you in and you had a clothing allotment where you would go shopping and everything, and that’s where you got most of everything, you know? So I’ve spent — and you’d be surprised that when they gave me a $10,000 allotment, you get TIRED of shopping and you STILL have money left on it! You got money for all your cousins, your brothers, your sisters, your mom, your dad and you STILL have money left over so, that was the fun thing about being signed with Nike.
Re-Evaluating the 63-Win Seattle SuperSonics and George Karl
The 1993-94 Seattle SuperSonics were a basketball juggernaut, loaded with explosive talent like Gary Payton and Shawn Kemp, tearing through the regular season to secure 63 victories. Yet, that historic run is permanently overshadowed by an opening-round postseason collapse that shocked the sports world. Decades later, Gill directly addresses the deeply fractured relationship with head coach George Karl that ultimately compromised the team’s championship ceiling.
Brandon “Scoop B” Robinson: What was your time like in Seattle playing with that incredibly explosive SuperSonics team?
Kendall Gill: My time in Seattle was bittersweet, you know? I did NOT get along with George Karl but I loved my teammates. I loved playing with them, you know? We won 63 games the first year that I was there and we were the first number #1 seed to get beat by a number #8 seed who were the Denver Nuggets — you remember seeing Dikembe Mutombo (RIP) holding the ball over his head on the floor? So during my time there I loved playing with Gary Payton; loved playing with Detlef Schrempf and Shawn Kemp, Michael Cage and Ricky Pierce… all those guys, we had a whip, ok? I thought we were going to win the NBA Championship the first year that I was there, but unfortunately we got beat by Denver and then the next year we played the Lakers in the playoffs and got eliminated. But my time with [Coach] Karl was bad. We all know now from the stories about George Karl that what type of dude he is, you know? I’m not gonna hold my tongue about him, I mean… I don’t like the guy even STILL to this day but I was sort of the first one that went through those ups and downs with him and it was documented that I was the problem but now you look at Carmelo Anthony and Kenyon Martin and you look at Ray Allen — all the problems that this guy has had with all these players. Sooner or later you gotta look in the mirror and be like, Maybe it’s ME.
Decoding George Karl’s History of Interpersonal Conflict
George Karl’s offensive systems were undeniably brilliant, providing an elite blueprint for modern, fast-paced basketball. However, a persistent pattern of high-profile feuds with franchise stars from Seattle to Denver suggests a coach who frequently got in his own way. Analyzing the psychological friction that mirrored later explosive disputes with Hall of Famers, Gill highlights a baffling necessity for calculated controversy.
Brandon “Scoop B” Robinson: What was it exactly, in regards to his approach, that continually rubbed prominent players the wrong way?
Kendall Gill: You know, still to this day I do not understand why he was like he was. I mean, it seemed like every year he had to have a guy that he didn’t get along with, you know? And he’s a phenomenal coach. If I were a coach, I would use a lot of what he used when I was playing for him because I believed in his system but I think that he got in his own way all the time as being one of the greatest coaches of all time he could’ve been, you know? But because of the need to have a controversy with one of his players, he missed that opportunity, you know? Because his system is one of the best that I ever played in but, he just got on his own way and I can tell that with Carmelo, I could tell that with Kenyon and Ray. I could tell it myself and with Chris Washburn back when he was with the Golden State Warriors, you know? If a guy has a pattern with problems with players, then you KNOW it’s not the players.
Walking Away From the Peak Charlotte Hornets Era
The early 1990s Charlotte Hornets were a genuine cultural phenomenon, capturing the imagination of sports fans with their iconic teal pinstripe jerseys and an electrifying core of young talent. Alongside Alonzo Mourning and Larry Johnson, Gill helped build a small-market monster that threatened the Eastern Conference elite. Decades removed from his departure, he reflects on the naive free-agency decision that remains one of the single greatest regrets of his career.
Brandon “Scoop B” Robinson: What was it like playing with the Charlotte Hornets in the team’s absolute early days when the culture was exploding?
Kendall Gill: I got two regrets in my career: One was leaving the Charlotte Hornets as a free agent after my third year when we had Alonzo Mourning, myself, Larry Johnson, Mugsy Bouges, Dell Curry and all those guys. We had just beaten the Boston Celtics in the first round and we took the New York Knicks to five games in the second round and we were young but, me not understanding what we had, I decided to test free agency. If I had to do it all over again, I would’ve signed and stayed with the Charlotte Hornets because that’s where I should’ve been. Everybody loved our colors and you mentioned the teal jerseys and they were designed by some French designer or something like that with the pinstripes and they were beautiful colors and that’s why everyone wore our Starter jackets and most kids had the Charlotte Hornets jerseys — I still have down there in my man cave my Charlotte Hornets jerseys and they’re framed up on the wall the teal, the purple and the white and that team… we had Grandmama who was full of personality; we had Alonzo Mourning, we had Mugsy Bogues and so even though it was a small market team, it was one of the most popular teams in the league aside from MJ and Shaq being in Orlando and then L.A. , and then us. So if I had to do it all over again, NO WAY would I have ever left Charlotte.
The Highs and Lows of the New Jersey Nets Transition
Stepping into the New Jersey Nets organization meant confronting a losing culture head-on, marked by mid-season injuries and front-office tanking strategies that left healthy competitors stranded on the sideline. Yet, that initial hardship cleared the path for a statistical prime and a dramatic roster overhaul. Gill details the exact moment the franchise flipped the script, culminating in a cutthroat, final-game showdown against a prideful Detroit Pistons team.
Brandon “Scoop B” Robinson: What was that initial year like when you transitioned to the New Jersey Nets?
Kendall Gill: Well, the first year was…. it was difficult because we were losing, you know? And I came in the previous year before John Calipari came in under Butch Beard and I love Butch Beard and I thought we had a great opportunity to make the playoffs that year that I came because it was halfway through the season and they had Chris Childs, PJ Brown and Armen Gilliam and all those guys and I broke my hand. We were rolling and I broke my hand on Reggie Miller’s elbow. Then I was out and we started losing and I tried to come back and I remember this — so I come back and I’m out on the court shooting, right? And I’m thinking that I’m okay and I’m going to play today. Willis Reed comes out on the court and he goes, “Kendall, what are you doing?” and I’m like, ‘I’m warming up getting ready for the game.’ and he said, “No no. We’re going for a draft pick. Put your clothes back on!” So I had to go and that was the end of my season that year because they wanted to get the draft pick.
So fast forward John Calipari gets the job and we draft Kerry Kittles and we struggle that season and even though we’re struggling, I’m having the best season of my career. I’m averaging 20-something a game and just statistically I’m having an All-Star year but it was tough because we were losing so not only did I want to do well individually but, I wanted to win as well, you know because I was 27 years old and I was in my prime and I didn’t want to waste those years but eventually the following year it changed because we drafted Keith Van Horn, we get Chris Gatling, we get Sam Cassell and all those guys so now we got some players that can really put it together and the following year and after that we go into the last game of the season we played the Detroit Pistons so before the game, I forget who the coach was but, the coach wrote on the board, because Detroit had already been eliminated and the coach wrote on the board: WE AIN’T GOIN’ THEY AIN’T GOIN’! Because we needed that game to win in order to get to the playoffs to play the Bulls — this was the Grant Hill, Lindsey Hunter, Bison Dele… all those guys on the Pistons, they knew we had to win this game in order to get into the playoffs and believe me, they were playing hard. It was the last game of the season and they wanted to win. So they come in and tell us what they wrote about us on their board and at that time I had sort of given up some of my scoring to make the team better which worked but, in that particular game I was like, Nah. I’m going back to being myself.
Inside the Hotel Room Where the Nets Almost Drafted Kobe Bryant
The 1996 NBA Draft altered the trajectory of basketball history forever, anchored by the legendary rise of an eighteen-year-old Kobe Bryant. Sitting directly in the hotel room with powerhouse agent Arn Tellem, Gill witnessed the high-stakes chess match that unfolded behind closed doors. He reveals the explosive threats, front-office panic, and the secret deal that nearly derailed the Los Angeles Lakers’ championship master plan.
Brandon “Scoop B” Robinson: Take me behind the scenes of that legendary 1996 NBA Draft. What was the internal conversation regarding the chatter to get Kobe Bryant (RIP)?
Kendall Gill: I was right there when they were thinking about drafting Kobe. I’m represented by Arn Tellem as well and Kobe was represented by Arn. We’re in the hotel room Secaucus [New Jersey] where the draft was going on, so Arn is on the phone with John Calipari and he’s saying, “Look. We’re going to take Kobe at the 7th pick…” and Arn is like, “I swear to God if you mf’ers take Kobe Bryant at 7 we are going to go over to Europe and he will NEVER play for you. I swear to God you better not f—ing take him!” So I’m just sitting there and I’m right there looking at all of this and watching the draft with Arn at the same time and [John] was like, “I know how you feel but we STILL think that we’re gonna take him…” The pick comes up and… The New Jersey Nets select Kerry Kittles from Villanova University, right? Because Arn had already had a trade set up with the Charlotte Hornets to trade Vlade Divac for Kobe Bryant for the pick. The Lakers dead set wanted Kobe and the New Jersey Nets were about to mess it up and Arn was just going ballistic in the hotel room. This was documented in his book so I’m not saying anything that’s not true or what nobody already knows. John Calipari comes out after the draft is over and comes to the press conference and says, “Hey listen, Kerry was the guy we wanted all along…” [laughing] and Kerry was great; Kerry turned out to be great and a great player for the franchise, BUT… that’s not what the New Jersey Nets wanted to do at that time.
The Reality of Kerry Kittles’ Elite Rookie Impact
While history focuses entirely on the legendary trajectory that Bryant eventually achieved, the immediate aftermath of the 1996 Draft inside the Nets facility was far from somber. Kerry Kittles arrived from Villanova and instantly validated the front office’s pick with an elite rookie campaign. Gill breaks down the locker room’s perspective on the selection, highlighting how Kittles outpaced expectations out of the gate.
Brandon “Scoop B” Robinson: After that chaos settled down, was there any remaining conversation about getting Kobe amongst the active players on the roster?
Kendall Gill: There was nothing said after that and they took the pick and Kerry honestly turned out to be actually better than advertised. Kerry came in his rookie year and had a great rookie year and he made the All-Rookie Team so, they were happy with the pick after they had done it and actually Kerry had a better rookie year than Kobe did at the time, you know? So but you know we all know how Kobe turned out.
The 1998 SLAM Cover and the Unavoidable Chicago Bulls Wall
The 1998 New Jersey Nets possessed an unheralded level of depth and veteran perimeter dynamicism, immortalized on one of the era’s most iconic SLAM Magazine covers. Boasting a dangerous roster that felt fully capable of a deep Eastern Conference run, their postseason aspirations met a brutal, immediate end. Gill details the sheer misfortune of running directly into the greatest dynasty in basketball history.
Brandon “Scoop B” Robinson: Looking back at that iconic SLAM cover with the Nets in 1998, how far do you realistically think you guys would have advanced if Michael Jordan had stayed retired?
Kendall Gill: We would’ve DEFINITELY made it out of the first round and we would have probably done some things — I think possibly we could’ve gotten to the Eastern Conference Finals possibly, you know? If everything went right and everybody stayed healthy because we had a helluva team and it’s just that we ran into the best team in NBA history in the first round and don’t forget we had Sherman Douglas on that team as well, the General who is one of the best point guards I played with. We could’ve done some damage but the route that we had was almost impossible to win.
Hanging in the Tunnel With Bill Bellamy and Exotic Supercars
Living the prime New York City lifestyle while playing for the Nets meant completely immersing oneself in the elite cultural fabric of Manhattan. From MTV personalities dropping into practices to legendary late-night run-ins outside exclusive hotspots, the era was defined by excess and star-studded relationships. Gill recounts a hilarious supercar flex that perfectly encapsulates the absolute peak of 1990s athlete culture.
Brandon “Scoop B” Robinson: How did you cross paths with Bill Bellamy, and what did that relationship evolve into?
Kendall Gill: Actually Bill used to come to some of our practices and do some things for MTV while he was there and that’s when I first met Bill and I used to see him hanging out around the city with the New Jersey Nets. And me being with the Nets, I didn’t live in New Jersey. I lived in the city. I loved New York. I mean, I lived on 43rd and 11th Avenue is my second home and I just totally immersed myself into the New York lifestyle, so I used to see Bill all the time. Great guy and we’re still friends to this day, you know? Even when he comes through to Chicago to do his comedy concerts, I’ll go and watch him.
And Bill he told a story about when he was leaving and we had just played the Chicago Bulls and we all in the tunnel and when were coming over into the city to go to Moomba and Jayson [Williams] is in his Lamborghini and I’m in my Ferrari and we pull up next to him and he’s in an eggshell white Dodge Intrepid and I look over at him and said, ‘Yo Bill! What’s up? You fell off, man!’ [laughing] so he tells that story and he can tell it better than I can and I can tell you that playing with the Nets was one of the best 6 years of my life. I had so much fun there and meeting you and still having relationships with you and other guys in the media around the league, it was just great for me.
Driving Blind Across the Nets’ Scattered Practice Facilities
Long before modern franchises built customized, high-tech athletic compounds, the operational reality of the Nets was defined by absolute logistical chaos. Players routinely spent their mornings driving across state lines, guessing whether they were reporting to a commercial trucking site or a remote local facility. Gill explains how securing a permanent home baseline completely rescued the team’s daily sanity.
Brandon “Scoop B” Robinson: What were your actual practice days like during that particular chapter with the Nets?
Kendall Gill: I was horrible but I was living in New York so I didn’t care, you know what I’m sayin’? We were at the trucking facility sometimes we would go up to Inglewood (New York) to practice in the facility up there and the thing is, you never knew where you were going to practice because they would say Today you’re at Inglewood or today you’re at the Trucking Facility… we used to practice somewhere an hour away from the area but when we got the practice facility it was cool because now we knew where we were going to be, you know? We could come there anytime we wanted to and practice but that practice facility saved us, man because driving all over the place was tough.
The Elevator Detour That Cost Him an LA Lakers Jersey
Imagine standing in a hotel lobby, completely prepared to step in front of the global press and unveil a brand-new jersey alongside Mitch Kupchak and Kurt Rambis. You are a signature away from joining a prime Shaquille O’Neal and Kobe Bryant for a certain championship run. Then, a forgotten cell phone forces a quick detour back to your room—and a sudden, staggering multi-million-dollar counter-offer shatters the plan completely.
Brandon “Scoop B” Robinson: There is a wild story about a meeting and a potential deal to team up with the Los Angeles Lakers. What exactly happened there?
Kendall Gill: The one regret I have… well the two regrets I had was leaving the Charlotte Hornets and signing with the Lakers because they had Kobe, they had Shaq and they just had won their first championship and if I had joined them we were in line to win two more or possibly who knows? So I flew out there. We already agreed on the deal and I’m about to go down to Mitch Kupchak and Kurt Rambis were downstairs; they called me, and they’re downstairs in the hotel lobby and they said, “Kendall, come on over. We got your jersey and we’re going to go on over to the press conference.” And I’m like, ‘Ok. I’m headed down.’ And I went to the elevator and I realized that I forgot my cellphone in the hotel and I’m like, Ok. Let me go back and get my cellphone… and I go back and get my cellphone and as soon as I pick it up the rings and it’s Lou Katz the owner of the New Jersey Nets and he said, “Kendall, I know you’re about to go to the press conference but we’re prepared to offer you 7 Million for one year… “ I had agreed to terms with the Los Angeles Lakers for $5.5 million for 2 years so you gotta do the math. The math was mathin for the Nets. I fell back on the bed and I put the pillow over my face and I said, ‘Mutha… why did I come back in this room?’
So I go downstairs and I tell Mitch Kupchak, ‘Hey Mitch, the Nets offered me $7 million and you guys offered me 5.5 for two years. I can’t go to the press conference. I have to think about this…’ and I never went to the press conference. I got on the phone and I tried to work things out with the Lakers to get more money but I had to make a business decision but if I had to do that decision all over again, I probably would’ve signed with the Lakers because in the long run I would’ve made the money but I was looking at right now so that’s how that went.
Terraces, Knee Injuries, and Dropping Priorities in Miami
Playing in Miami brings a unique set of cultural hazards that can quietly compromise the edge of even the most disciplined competitor. Finding himself rehabbing a severe knee injury while living in a stunning, high-end Williams Island penthouse, Gill experienced a level of luxury that felt dangerously comfortable. He reflects openly on a time when his operational priorities shifted completely away from the grind.
Brandon “Scoop B” Robinson: What was your operational reality playing down in South Beach with the Miami Heat?
Kendall Gill: I was with the Miami Heat. I wasn’t the same in Miami because I was coming off a knee injury; my knee still wasn’t 100 percent. Statistically I had the worst season of my career and also it was too damn nice down there in Miami. I had rented a two story penthouse from this Turkish movie star. All I had to do was bring my clothes and I had a terrace overlooking North Miami Beach and I lived on Williams Island… I was just too comfortable, man. Have you ever seen when Rocky’s trainer he said to Rocky that ‘you’re getting too civilized?’ I was too civilized, man. And I actually broke my hand Miami; that was the first time I was actually I was glad that I was hurt. I didn’t mind being hurt because I could go and hang out on the beach. My priorities were totally off then!
Surviving Pat Riley’s Demands and Exiling Himself to Minnesota
The legendary standard of Pat Riley’s “Heat Culture” is notorious for a reason, imposing strict body-fat maximums and grueling practice schedules that force total alignment. Realizing that the pristine sunshine of South Beach was softening his approach, Gill engineered a drastic corporate pivot. He demanded a trade to the single coldest market in the league to completely reset his focus on the game.
Brandon “Scoop B” Robinson: What was it like managing the psychological and physical demands under legendary coach Pat Riley?
Kendall Gill: Everything that you hear about Pat Riley is true. He’s tough. He runs tough practices, he wants your body fat under a certain level and they go by a certain creed. They talk about the Miami Heat culture, it’s true and that’s why they’ve always been successful. If I would’ve stayed there 2-3 years I would’ve gotten used to it and I would’ve gotten my priorities back in order and everything but, Pat Riley’s going to treat you first class but he’s gonna make you work for it too. You can ask all those guys down in Miami and everything they’ve done starting with Alonzo Mourning, you know? But, the next year I told my agent, ‘I gotta get outta here. My career is over and I like it too much down here with all of the sunshine and the pleasantries. Send me to Minnesota where it’s the coldest of any NBA city…’ and I was able to turn things around there because all I was concentrating on was basketball. Ain’t nothing else to do in Minnesota. [laughing]
The Legendary Target Center Sightings of Prince and Jimmy Jam
The cultural landscape of Minneapolis during the mid-2000s was anchored by a rare proximity to musical royalty. Beyond standard celebrity court-side appearances, figures like Jimmy Jam regularly integrated into the team’s operational travels. Gill confirms the long-standing baseline rumors regarding a multi-platinum icon, validating that the man could flat-out hoop.
Brandon “Scoop B” Robinson: While navigating that freezing Minnesota landscape, did you cross paths with Prince or Jimmy Jam? Could Prince actually play?
Kendall Gill: Oh yeah! Prince used to come to the games. He could play basketball! He was a baller and he would come and sit in the stands and Jimmy Jam would sometimes ride on the plane with us and everything.
The Rare, Unearthly Charisma of Prince and Magic Johnson
True, unadulterated superstar aura is an exceedingly rare commodity, possessed by only a select handful of individuals in human history. Over a lifetime spent operating alongside elite entertainers and athletes, Gill outlines a literal, visual glow that separates absolute icons from standard famous peers. He recalls the distinct, heavy presence that Prince brought into every public room he occupied.
Brandon “Scoop B” Robinson: Did Prince genuinely carry that mythical, unearthly aura around him that people always speak about?
Kendall Gill: He did! I’ve only seen a couple guys with glows. He was one of them. The other one was Magic when I first saw him my rookie year. But Prince as well, you know? He just has an aura about him and he doesn’t talk that much when he’s out in public and everything and when he does talk, he has this really deep voice and he just carries himself like a superstar and God bless his soul and everything, but that guy was a true, TRUE rockstar.
Fulfilling a Childhood Aspiration in a Chicago Bulls Uniform
For an eighteen-year-old high school sophomore watching Michael Jordan completely transform the city of Chicago in 1984, the dream of wearing that iconic uniform was all-consuming. Standing on that legendary floor as an opposing player, the quiet promise to one day return home became a structural reality. That full-circle milestone laid the foundation for a permanent post-retirement broadcast tenure with his hometown team.
Brandon “Scoop B” Robinson: Ending your storied career in a Chicago Bulls uniform must have been a profoundly surreal, full-circle milestone.
Kendall Gill: It was because I always wanted to wear the jersey. Being from Chicago, I grew up watching the Chicago Bulls and I watched Michael in 1984 come to Chicago and put Chicago on the map. Back then I was a sophomore in high school and I aspired to be on the level that they were on and whenever I would come to Chicago and play, I would look around and be like, One day. I’ll play here… I didn’t know what year that would be but before my career is over I want to wear this uniform. I was able to make that come true and now I am a true Chicago Bull because for the past 16 to 17 years I’ve been working with them in a broadcast capacity.
Gym Politics, Fighter Mindsets, and the Danger of Playing Boxing
Stepping out of an elite 15-year basketball career straight into the violent, territorial world of professional boxing means confronting a brutal corporate reality. In combat sports, traditional athletic accolades provide zero protection against gym regulars determined to break a multi-millionaire intruder. Gill closes with a stark analysis of weight-cutting depletion, undercard survival, and a stern warning regarding the absolute lethality of the ring.
Brandon “Scoop B” Robinson: Finally, talk to me about the brutal transition of jumping from elite professional basketball straight into the professional boxing ring.
Kendall Gill: The transition wasn’t hard for me because I’ve been boxing my whole life, you know? When I was a young kid on the South Side of Chicago my parents sent me to a daycare center where they had boxing. That’s where I first started boxing and my grandmother lived on 79th and Sangamon in the city. One day she sent me to Woolworth’s and when I was walking to 79th and Woolworth, I saw Muhammad Ali standing on the corner and he was just standing out there; I had no idea why he was there but, he was just standing there talking to a whole bunch of people and he was holding court and to me I thought that he was god — I was a little kid then, but he looked like god, man. He was so tall and his skin was beautiful… It was Muhammad Ali and I said, I want to be just like that… and that’s when I started boxing and when I retired from the NBA, I already studied six years of ju-jitsu and six years of Muay-Tai boxing but boxing was always my favorite sport and my first love.
So I contacted my trainer and I said, ‘You know what? I want to have a couple of fights and I want to know what it feels like to really be a boxer…’ And so I went into the training and because I was already experienced it wasn’t that hard to pick up, but what was hard to pick up was the guys that were coming at me sparring because they had the attitude that this basketball player is coming into OUR gym. We ain’t come in your gym and you can’t come in our gym; and that was the attitude that they had with me whenever I got into the ring with them and it was tough — they were tough on me, they beat me up a lot, you know? After about 6 months I got used to it and then instead of taking it, I started dishing it and I had my first fight and my first fight was easy and I got rid of the guy in the first round.
I thought my second fight was going to be easy like my first fight… it wasn’t. I can remember being on the ropes and he cracks me and I’m like, Oh shit. My mom and dad are in the audience, my fiancé and my friends are here and it was at All-State Arena so the arena was packed — I was on the Fernando Vargas undercard so if he hits me like that again, he’s gonna knock me out. I didn’t train hard for the fight. I was tired. It was hard for me to make weight because I fought at Cruiseweight and you had to be under 200 pounds. I played basketball at 215 and I think I went in that fight at 197. So I depleted myself and I didn’t have the energy so I said, I gotta get rid of this dude right now… and I just let it all hang out and I ended up winning by majority decision but that just let me know that from that old saying: You don’t play boxing. And anybody that gets in there — that’s why when Nate Robinson fought Jake Paul and I talked to Tim Hardaway before the fight and Tim said, “Nate is looking pretty good out there…” I said, ‘He’s gonna get knocked out, Tim. Don’t bet any money on this guy. This guy Jake Paul? He takes it for real. He’s NOT playing. For Nate, this is like a YouTube thing…’ and that’s exactly what happened and boxing is not a game and people have lost their lives in the ring.
The Analytical Lens: Longevity and the Unforgiving Reality of the Arena
Ultimately, Kendall Gill’s journey across the multiple landscapes of elite athletics serves as a definitive blueprint for structural reinvention. In an industry where former players frequently struggle to find their footing or their distinct voice after the final whistle blows, Gill has managed to construct an authoritative legacy built on a foundation of absolute transparency. He does not view his athletic past through a lens of filtered perfection, nor does he shield himself from his historic missteps. By openly discussing his massive career regrets—such as abandoning a burgeoning powerhouse in Charlotte or bypassing a championship dynasty with the Los Angeles Lakers for immediate short-term capital—he offers a masterclass in the profound psychological weight that modern athletes carry during high-stakes free agency.
Furthermore, his reflections on locker room dynamics and coaching architecture pull back the curtain on the complex politics of the NBA. Gill’s ability to objectively analyze the masterful systems of George Karl and Pat Riley, while simultaneously refusing to minimize the severe interpersonal friction that came with them, highlights his exceptional utility as a modern analyst. He bridges a historical gap for fans and current players alike, utilizing his own experiential data to validate the enduring truths of ‘Heat Culture’ or the
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