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    Join the Inner Circle. Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: ~ Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers ~ Join On Patreon: https://wesoundcrazy.ffm.to/patreon ~ Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz The We Sound Crazy family rolls out the red carpet this week for the self-proclaimed musical genius and undisputed King of Reality TV himself, Carlos King. Joining hosts Philionaire, Claude Kelly and Chuck Harmony of Louis York, and Tamone Bacon, the Detroit-born mastermind behind Belle Collective, Love & Marriage: Huntsville, Bold & Bougie, Grown and Gospel, and a long list of other franchises pulls up to set the record straight on the "Black Andy Cohen" comparison, his deep love for music, and why his ear for talent runs in the family (his father played saxophone for The Dramatics before walking away from the road to raise ten kids). The conversation moves fast and pulls no punches. Carlos relives the now-legendary moment when a young Keyshia Cole cussed him out on a 106 & Park red carpet while he was still a PA reading questions off a producer's clipboard. He breaks down why Keyshia, Tamar Braxton, and Cardi B set the blueprint for using reality television to launch and protect a music career, and names exactly which current artists (Normani, Chloe Bailey, Victoria Monet, Durand Bernarr) he believes should be lacing up their boots for the same play. Then the gloves come off. Carlos walks us through the rise and stall of The Encore, his beloved BET girl-group experiment that he calls top two of his entire career, lays out the four reasons girl groups can't survive (ego, men, management, work ethic), and shares why Chloe x Halle splitting too early still bothers him. From there he flexes his Mount Rushmore of gospel singers (Kirk Franklin, Yolanda Adams, Shirley Caesar, Aretha Franklin), defends Amazing Grace as Aretha's untouchable peak, and explains why he plays gospel every morning without fail. He also weighs in on why he believes today's R&B falls in comparison to the '90s, why too many singers have never set foot in a church, and why he no longer goes to concerts (his words: lip-syncing, no choreography, no production, no Frank Gatson). Now without further ado, hit that play button and jump into this episode! We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: John Dierre Camera Op: Josh Sowemimo, James Hart, John Dierre Editing Team: Hyyer Creative Producer: Aaron Walton Sound Mixer: Derrick Chin Assistant: Brittany Guydon Talent Producer: Isaac Hamm III Photography: Ah'meer Holt PA: Kaye Brasley, Tony Cole Thank you to all of our listeners, as well as our partners at Visit Music City. Special thanks to Carlos King! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #CarlosKing
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